If Vic Delotavo’s name rings a bell at all, it’s probably because he shares it with his better-known brother, the acclaimed social realist painter Antipas.
Older by nine years, Vic actually started his career in art earlier, but while Antipas chose the more established medium of oil on canvas, Vic poured his (he)art into the ephemeral—first as a magazine illustrator, and later as perhaps the country’s most prolific designer of movie posters.
